If you write horrors, should you only write horrors? What if you write comedies, are you stuck writing comedies for the rest of your career?
Hollywood is tough town to navigate. Buyers and producers need everything as simple as possible, so the more they are confused, the harder it is to sell them something, or someone.
Imagine going to a car dealership. Lets say you want an econimcal car that is going to get you great gas mileage. Well, you aren’t going to go to the Ferrari dealer, or you aren’t going to go look at the SUV’s. You will know, pretty much, the range of cars you are going to look for.
Hollywood works very much the same way. When a studio is looking for a comedy writer, they know the writer’s list in that genre and will go after them.
So here is my advice to you up and coming screenwriters. Figure out the genre you like the best. At the beginning, it is ok to experiment in different styles. Try comedies, try thrillers. Which one did you get the best response with? When you are first starting out, nobody knows who you are, so you can get away with wrting whatever you want. However, if you are lucky enough to get sale, you need to stick to that genre…for a while.
If you sell a thriller, everyone around town is going to be thinking of you as a thriller writer. If all of a sudden, you write a comedy, the town will be confused, and not only that, your agent or manager will have a hard time pitching you. You need to capitalize on your sell, and write another thriller to get your career flowing.
There does come a point when you can change again. Once you are successful, and have sold a few scripts and have worked on a few assignments, then you can write another genre. Actually, it is helpful for your agent or manager to do this, because you can be put up for more projects. But remember, you should only do this once you are established…or once your career in one genre has fizzled.
To sum it up, if you have no sales and are completely new, play around with different genres. Once you find out what you are good at, stick to that for some time until you have become established. And then feel free to try other genres out.
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2 users responded in this post
Hey Screenwritingcompass…
Informative article. Thanks for this.
Just wondering, since everything I write belongs to the thriller genre.
Based on the following logline and synopsis of my script “Marcus and Faith”, would you say my script is a dramatic thriller or crime thriller or a romantic thriller? Most Readers really get frustrated and angry when they read this script. But some liked it and called the script a dark/romantic thriller.
What’s your opinion?
LOGLINE of “Marcus and Faith” —
Painkiller addict falls in love with a Broadway bound - Faith. Only to find himself embroiled in murder, corruption and twisted sexuality.
SYNOPSIS of “Marcus and Faith” —
A shock comic, Marcus Anderson (26), with a dodgy past and now addicted to painkillers, dreams of settling down. When he meets Faith, his high-school crush, now a beautiful mysterious dancer (26), a torrid romance ensues and he thinks she’s going to be his savior. But Marcus does not realize that Faith is hiding some dirty family secrets — secrets that will thrust them into a deadly web of prostitution, human trafficking, and murder that spans a godforsaken criminal underworld of twisted businessmen, corrupt cops, psychopathic thugs and a father and daughter story more disturbing and dangerous than anything Marcus was ever prepared for. Not even his painkillers can prepare him for this family.
Thanks,
Benjamin Ray
www.hollywoodtoronto.com
Come on, give us something we havn’t heard. You are behind in advice. We want insider’s info not somthing a UCLA film student could make up.
Respectfully.
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