The first thing you need to figure out is the type of personality that you have. Are you better having your own space? Or do you need that extra push and the bouncing of ideas with another screenwriter?
Creatively, I can’t answer that. In terms of selling you and your film, I can answer. It doesn’t really matter. However, whatever you decide, make sure you stick to it. This is a big mistake a lot of writers make. A lot of writing partners will split up and believe their career will continue at the same spot where they left it with their partner. It doesn’t work that way.
Lets say you have been writing comedies with a partner. All of a sudden you want to write on your own. This could be for a variety of reasons, maybe you don’t want to share 50% of the money, or maybe you feel you are the true talent of the relationship and your writing partner has not really contributed. Well the scripts you have written before this point can’t really be used as writing samples for your SOLO career. Any executive that gets the previous script is going to ask, “ok, I see you had a partner, who wrote what?” Even if you really are the one who wrote everything, it is still difficult to prove that. So if you do decide to break it off, you at least have the experience, but you will have to start from scratch to reinvent yourself.
On the flip side, I see many solo writers who decide to write a one-off script with a partner, but they never intend to write as a team in the future. The problem is that if the script doesn’t sell, it is useless to you if you want to continue solo. Why waste several months writing with someone when you don’t intend to keep that person as a partner? As a matter of fact, if it does sell, then you better continue with that same partner, or else it will continue to be difficult to write on your own because the agent/manager won’t really be able to use that script effectively.
Think about it this way. Imagine a writing team is a car. One writer is the engine and the other writer is the body exterior. Together, they run and look great. OK, now they want to go on their own. Take away the engine or take away the body exterior. Will that car be the same?
Bottom line, there are pros and cons about writing a script with somebody else, but make sure you think long term. Whatever you decide, try and stick to it. And like I mentioned in previous blogs, there are always going to be exceptions to this, but for the most part, this is the general rule of thumb.
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8 users responded in this post
Great advice. I started learning with a partner, only to have him melt down on me. Then I tried writing comedy solo, but it was taking me forever to get anything written. Now I have found another partner whose opinions I trust, but he’s lacking technically. I feel what he lacks, I make up for, and vice versa. We are both strong in some areas, like social aspects, so we have that locked down, and we have no weaknesses that I can see.
Informative article.
Writing partners? I don’t think it’s my cup of tea. But…
But I have been told that my writing (dialouges and action descriptions) fall in the the style of Graphic Novels. Maybe a different form of partnership is what I need.
I would be interested in partnering with a pencil/ink artist.
I do the writing and he or she does the drawings.
I think it’s the same thing.
Regards,
Benjamin Ray
Screenwriter
brscreenwriter@gmail.com
http://www.hollywoodtoronto.com
Another insightful post. I had never thought about collaboration from an agent’s point of view. That is some serious food for thought.
Always nice to get a view from an industry insider. Thanks.
PS All these ads on your site are really annoying.
Curious why you’re anonymous. Here’s another blog by an industry exec who isn’t anonymous http://www.twoadverbs.blogspot.com
J. Cotterfield,
I’m anonymous because I can tell you the truth and not worry about the consequences. If you guys knew who I was, I would have to be politically correct, and give you typical bullshit replies. This is better for you, I’m going to give you the real answers…as harsh as it may sound. I don’t have to hold back.
That site you just showed me, he doesn’t blog anymore, and look, he’s a “story editor” at an agency. He’s not an agent…there is a BIG difference there.
Hey Screenwriting Compass,
I like your approach.
Looking forward to your answers.
My first question –
I recently read a query letter written by two writers (partners). They used “superbad-like” fast-paced humor in their letter.
Should one put humor in a query letter?
Is this popular?
As for me, I don’t like doing that.
Regards,
Benjamin Ray
http://www.hollywoodtoronto.com
Ben,
If it makes me laugh, then that’s a good query letter, but be careful because it’s very tough to be that funny in one quick line. I have not seen many queries that can accomplish that.
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